HEEM, Cornelis de

Dutch painter (b. 1631, Leiden, d. 1695, Antwerpen). Son of Jan Davidsz. de Heem. He spent a great deal of his life in Antwerp, where he was taught by his father. Cornelis also worked in Utrecht in 1667, in nearby IJsselstein in 1676 and in The Hague from 1676 for more than ten years. His best works approach the quality of his father's, particularly in works executed during the decade starting in 1655. Cornelis's still-lifes can be distinguished by daring colour harmonies, sometimes with a strong blue. His compositions are often simpler: fruit-pieces, floral bouquets, festoons and garlands and sumptuous still-lifes,
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HEEM, Cornelis de Flower Still-Life sf oil


Flower Still-Life sf
Painting ID::  7414 		Flower Still-Life sf
Oil on canvas, 53 x 42,5 cm National Gallery, Prague
Oil_on_canvas,_53_x_42,5_cm National_Gallery,_Prague
   
   
     
HEEM, Cornelis de Still-Life with Flowers and Fruit sg oil


Still-Life with Flowers and Fruit sg
Painting ID::  7415 		Still-Life with Flowers and Fruit sg
Oil on canvas, 55,8 x 73,5 cm Museum voor Schone Kunsten, Ghent
   
   
     
HEEM, Cornelis de Still-Life with Flowers and Fruit (detail) sg oil


Still-Life with Flowers and Fruit (detail) sg
Painting ID::  7416 		Still-Life with Flowers and Fruit (detail) sg
Oil on canvas Museum voor Schone Kunsten, Ghent
Oil_on_canvas Museum_voor_Schone_Kunsten,_Ghent
   
   
     
HEEM, Cornelis de Still-Life with Flowers wf oil


Still-Life with Flowers wf
Painting ID::  7417 		Still-Life with Flowers wf
c. 1660 Oil on canvas Private collection
c._1660 Oil_on_canvas Private_collection
   
   
     
HEEM, Cornelis de Vanitas Still-Life with Musical Instruments sg oil


Vanitas Still-Life with Musical Instruments sg
Painting ID::  7418 		Vanitas Still-Life with Musical Instruments sg
after 1661 Oil on canvas, 153 x 166,5 cm Rijksmuseum, Amsterdam
   
   
     
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     HEEM, Cornelis de
     Dutch painter (b. 1631, Leiden, d. 1695, Antwerpen). Son of Jan Davidsz. de Heem. He spent a great deal of his life in Antwerp, where he was taught by his father. Cornelis also worked in Utrecht in 1667, in nearby IJsselstein in 1676 and in The Hague from 1676 for more than ten years. His best works approach the quality of his father's, particularly in works executed during the decade starting in 1655. Cornelis's still-lifes can be distinguished by daring colour harmonies, sometimes with a strong blue. His compositions are often simpler: fruit-pieces, floral bouquets, festoons and garlands and sumptuous still-lifes,

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